Saturday, August 26, 2017

Mortals by Down I Go

 Mortals by Down I Go
Scattered across the earth, and living incognito as "regular people" are masters of an art form centuries old. Contrary to popular belief, being a successful band is not being rich, famous, or even popular; success is the accomplishment of some aim or purpose. Given that, it is no stretch to say that Down I Go are one of the most successful bands in our era. Their back catalog shows their ability and admiration for grabbing an idea, then bring it to life through both sound and story. Where many bands have run with concept albums, none ever feel as whole or well thought out as those put forth by Down I Go. Not only does Mortals continue this trend of excellence, it surpasses all the things I've come to love about this band.


   It's everything Down I Go has always done well except it's something entirely new and unique in it's own way. Something people tend to forget is that vocals are an instrument in their own way. It's what makes harmonies so complex and beautiful, and something that the group seems to have perfected on Mortals. They used them more frequently and effectively in these four tracks than most bands have in their entire careers. It gives everything more balance in the process. That doesn't mean that there is a lack of throat-ripping, seemingly impossible to produce, screams present either. Those are plentiful as well.
   As is always the case, their time signatures are above and beyond. It is baffling to think of how they arrange these things. On top of that, there are so many layers stacked into 14 minutes that you can listen to it twenty times over and still hear something new each time. Multi-layered harmonies, brass, woodwinds and pianos are placed so brilliantly (some times on top of one another, sometimes individually) that it makes Mortals sound like the most grandiose of all of their works.
   With every new release they manage to give me a new favorite track. When Gods was released I was convinced that Icarus was the best song they had ever written. Until a bunch of lunatics (me included) crowd funded You're Lucky God That I Cannot Reach You and I heard Drangey Concecrated. Now, out of the blue and without warning, I've become entirely too fond of Heracles. It's the heaviest song on this EP, and also the most lovable. Writhing with complexity, unapologetic with it's brutality, and beautifully layered it very well may be my favorite track of theirs. After the pause with the piano, the harmonies come in almost poetically. The second go around, DEEP in the background, that same harmony is accompanied by the lowest, deepest growl I've ever heard from Down I Go. My favorite of all however are the low saxophone notes that accompany the horns during the bridge. It is filled to the brim with sounds that shouldn't make sense together, but do. For being so aggressive, it has the softest and most faint ending, almost lullaby-ing it's way out.
   Really, the only way to experience it is by listening to it. It is a cheap purchase that will bring you joy for the years to come and is available on their bandcamp page, as well as most of their discography. One final note I have is an observation. Despite implying that the band is unpopular in my introduction, the fact of the matter is that their continued dedication to creating has only helped them. They have grown in popularity and that is only because of their continued efforts. They do everything on their own. Writing, recording, promoting, etc. is all done by them. With that, I would like to thank them for all that they have done. I am proud of what they have been able to accomplish thus far. I hope there are things to come in the future.
   

Tuesday, July 4, 2017

Under The Radar

We here at Growth enjoy nothing more than to bring bands you've never heard of to the forefront. In this post I will introduce you to a few bands from different areas of the world that know what the fuck they're doing and do it well.

Portrayal Of Guilt by Portrayal of Guilt (Texas, United States)
We'll begin our tour with a new band from The United States. Portrayal of Guilt's self-titled EP is a 6 minute long ride that you will want to take over and over again. It starts with a bang. One minute of chaos unfolds into a beautifully layered chorus filled with melody and harmony. It drags you down into a pit with hypnotizing riffs until it chews you up and spits you back out. This is the case with each of the three tracks. Its unrelenting, unsettling, and unapologetic. If this is just the beginning then I can't wait to see where they go from here. They're currently on tour and that means there is a chance that they might stop by your city. You can find tour information on their bandcamp page as well as this EP.



Erase Images by Wolves At The Door (Wroclaw, Poland)
I take you now to a place I've never been, and can't even pronounce, Wroclaw, Poland. Let me begin by saying you're welcome for putting this in. Captivating riffs carry you from one track to the next in such a fluid manner that it feels natural. It takes a familiar sound and makes it feel new. It doesn't sound tired or overdone either like many other bands in this genre (whatever genre you want to put it in). Its not quite metal, its not quite crust, its not quite any one genre which is what I find so refreshing about it. You can listen to it or purchase it on their bandcamp page. Although I'm unsure what the conversion ratio of dollars is to...whatever currency they use in Poland.

Malaya by The Seeker (Rome, Italy)
I hope you like your music fast, loud, and angry because that is The Seeker in a nutshell. The longest track on Malaya caps at 1:55. It is 13 short tracks that will put you into a rage induced trance. Their ability to say so much in so little time is impressive to say the least. In their own words, it is "music to heal, secrets to destroy." The frontman's voice sounds like a cross between Jeremy Bolm's in his work with Hesitation Wounds and Josh Scogin from Norma Jean and The Chariot. All in all, Malaya is the ass-kicking for your ears that you deserve. Find it on their bandcamp page, listen to it, and love it. There is no way you can't.


Sunday, June 18, 2017

EP-isode 1

Short Circuit by Throat (Turku, Finland)
This EP was put out in 2015 and I discovered it the same way I do everything, bandcamp. In previous posts I've discussed my love for aspects of music that are creepy, strange, and offbeat, Short Circuit is all that and then some. It's dirty, gritty, and unhinged; at the same time it's catchy, heavy, and fun. It's rare that I hear a band that sounds jubilant while they're recording, but I can't see this being something they dread doing. The EP is chalk full of tantalizing bass riffs punctuated by some of the most abstract vocals I've heard in some time. I would liken them to a more tame, yet equally unique version of Daughters. The trio has put out a good size collection of music in their 8 years as a band, all of which you can sample for yourself here.

Spreading Joy by The Armed (Detroit, MI)
I don't even know where to begin writing when it comes to The Armed. I can't tell you who is in the band, because they're impossible to track. Even after flying to Detroit for "No Rest Fest" and watching them play live I'm clueless as to who they are and how they know each other. What I can tell you is that all of the chaos found in the Spreading Joy EP (as well as the rest of their discography) translates flawlessly to their live performance. It's loud, abrasive, and disorienting. There was a man in a Guile Suit crawling around the audience, latching onto victims until being tossed back on stage by the crowd. Strobing lights made the mayhem pass by one second at a time with rage fueling the crowd. The beauty of The Armed comes in a few doses. Musically, lyrically, and live they are stellar. Not only that, but they have a cult following unlike any other. And the people that make up that cult are some of the most intelligent, artistic, creative, and sincere human beings I have had the pleasure to interact with. Every person I met had a story to tell, and each of them were supporters of their community. If somebody went down, there was a hand there to help. Be sure to listen to this, and all their other works, which you can snag on their Bandcamp page.

Gods by Down I Go (London, UK)
I've written about them once before and I will continue to write about them in the future. If there is one thing I want to do with this platform it is to get you to fall in love with Down I Go. Simply put, there is nothing else like them. The Gods EP was, for what felt like decades, the "Conclusion" of this band (until they crowdfunded their final album). They break the mold of every genre they encompass. Their timing is unreal, their use of harmonies, repetition, call and response, and instrumentation are superb. And for those who are unfamiliar, all of their albums are concept albums. Gods tells the stories Demeter, Poseidon, Atlas, and Icarus. Not only are the lyrics themed around an idea, the music encapsulates that idea as well, which is how their choice of instrumentation has such a tremendous impact on the listener. You can check out this EP on the Shels Music page and you can explore the band more on their Bandcamp page. 

Saturday, March 25, 2017

Repeater

It is typical for me to write about the heavier side of the music industry, mainly because that produces about 92% of my music intake. Lately however I've become addicted to a few albums from other genres that I think you will thoroughly enjoy. These are 3 albums I've had on repeat for the beginning of spring.

Archfiend by Eksi Ekso
I've always been fond of Eksi Ekso; their first full length Brown Shark, Red Lion put forth a new take on a familiar sound. As far as what that genre is I'm unsure, it walks a line between that raw, emotional element captured so well by The National as well as the catchy, up-beat feel of Minus The Bear. Their follow up entitled Archfiend improves upon that sound and adds another layer to the mix as far as content is concerned. This delightfully crafted record is my favorite work of Eksi Ekso to date. It is musically their most solid release (so far) and follows the story of H.H. Holmes, one of The United State's first convicted Serial Killers from the late 19th century. Covering every corner of Holmes' wrongdoings from his work as a con-artist, to his work as what is essentially a black market cadaver salesmen--selling the body parts and skeletons of his victims to scientists to use for research, Archfiend is as intriguing as it is informative. Put simply, it is a biography put to music. I've listened to this album for years, but something about the feel of it has had me listening to it over and over again throughout the spring. Be sure to give it a test drive if you don't already love it; you can check it out on their Bandcamp page, as well as all of their other releases.

RTJ 3 by Run The Jewels
Should you scroll through some of my other posts you'll become attune to the fact that Hip-Hop isn't exactly my cup of tea; that doesn't mean I'm against it, I just have a hard time relating to it most of the time. With that said, I've been a Jewel Runner since their first single "Banana Clipper" dropped back in 2013. RTJ 1 captured two veterans of hip-hop in their youth as a duo; RTJ 2 encapsulated their maturation as artists and the growth of their dissatisfaction and frustration on social issues. RTJ 3 is something beyond comprehension. I wasn't a big fan at first. The beats felt flat compared to the previous two records, the pace of the album felt slow and tuned down, and from much of what I had read leading up to it's release Killer Mike and El-P were convinced it was their best record. I listened to it probably 15 times when it was released on Christmas and continually disliked it, but at the same time I couldn't stop listening to it. Mike and El were totally right; this is their best record. It flows seamlessly from track to track. The lyrical content is thoughtful, critical, insightful, political and on tracks like "Thursday In The Danger Room" brutally honest and sad. They've outdone themselves once again. The proof is on the album cover, the pistol and fist covered in gold, still wrapped in tape with beast like finger nails. It's a more sophisticated delivery of the same thoughts, ideas, and beliefs. Get the album for free on their website and join the rest of the Jewel Runners in one of the most diverse and welcoming group of fans there can be.

Voids by Minus The Bear
When I was 13 years old I met the likes of an indie-rock group known as Minus The Bear. They've got a unique surf-rock vibe blended with a dance-like synth that many bands have tried to capture but have yet to improve on. They're some of the most talented musicians out there and I've always enjoyed listening to them. Each of their albums has a particular sound of it's own, all of which they seemed to incorporate into Voids. It sounds as though they drew elements from their entire discography to write this album; it feels surprisingly youthful for a group that has been around for 17 years. This may be in part due to their new drummer. At any rate, Voids has become my favorite of their works, especially lyrically. Until now, Minus The Bear was mostly something you would put on if you wanted to get a lady in the sack  (something about their style makes women go crazy. It's a fact, not an opinion.) They moved out of that territory on this album though. Voids is the perfect title for the record. Their is longing, heartache, nostalgia, and love spread across 10 tracks. It's the most I've ever been able to connect to their work on personal level, and they should be proud of what they have accomplished. Pick up a copy via Suicide Squeeze and prepare to be moved. 

Thursday, March 9, 2017

Albums I Slept On

This is a list of albums that I (somehow) slept on and only listened to completely for the first time recently. I know there are many more that I can add to this list, but I decided to keep it short. For this list, I confined it to albums that I didn't listen to upon their release. It doesn't include albums that I have rediscovered or loved in the past and rekindled my love for them - that's another list entirely.


Peripheral Vision – Turnover (2015)
I finally listened this album in February of this year. I had heard of Turnover and this record since it came out, I just never took the time to listen to it. Honestly, it was because I confused them with the hardcore band Turnstile (a really dumb mistake, I know). This album became my most played album of February. It has an insanely smooth flow from start to finish and each song transitions seamlessly into the next. There have been countless days where I've had this on repeat for an entire day because it's just that good.


Holy Ghost – Modern Baseball (2016)
To be completely honest, the only song I remember hearing off this album was “The Wedding Singer” and I heard it live when MOBO supported Brand New on their last tour. I should have known then that this album was something special but I completely overlooked it. Last month, I took time and listened to it front to back for the first time and loved it. This album is fantastic from start to finish which makes MOBO's hiatus even more sad. RIP (for now) Modern Baseball



I’ll Be the Tornado – Dads (2014)
I started listening to Dads in 2014, but I only listened to their earlier record American Radness (This Is Important) and I never really followed the band that closely so I didn’t know they had released a record at the end of 2014. Dads' sound is reminiscent of late '90's and early 2000's indie and math rock bands like American Football and this record is no different. Compared to American Radness, this album is definitely more polished but still authentic and real. RIP DADS


The Difference Between Hell and Home – Counterparts (2013)
I have been a casual Counterparts fan for a few years but really only got super into them over the last year so I never really truly listened to this record until last year. What a mistake that was. The Difference Between Hell and Home is a quintessential melodic hardcore record. It’s heavy yet pretty, and brutally honest. Brendan Murphy's vocals are rough and so full of emotion you can feel it in your bones which is probably why I love this album so much.


Rooms of the House – La Dispute (2014)
I used to love La Dispute when I was younger. I did fall away from them and stopped listening to them completely for a while but a song from this record showed up on my Spotify Discover Weekly playlist a month or so ago and I fell back in love with them. Jordan Dreyer's vocals are what makes La Dispute, and this album specifically, unique. There are few bands in the post-hardcore genre who have vocalists that are as recognizable as Dreyer. 

Saturday, February 18, 2017

[New Music] He Is Legend Premier New Single - "Sand"

Wow, this band never disappoints.

North Carolina post hardcore/rock outfit He Is Legend have just released the first single from their upcoming LP, few. He Is Legend have been one of my favorite bands ever since I first heard them when I was 15 or 16. Their blend of dark, smokey southern riffage, viscous psychedelic melodies, and ethereal singing have always brought me back to them again and again. Their newest offering, Sand, is no exception. This song is mostly driven by chunky guitars and soaring vocals, and is a great example of the wonderful black magic this band consistently uses to create some of my favorite rock songs of all time.

The album was co-produced by Adam "Nolly" Getgood of Periphery and it absolutely shows in this track. The heavy, start-stop riffs sound crisp and clear without the robotic overproduction that many modern guitar parts end up having. The vocals are perfectly placed in the mix, giving the guitars room to breathe while just high enough to evenly fill all registers. My only complaint is the lack of bass as a prominent instrument in this track. In the past, He Is Legend have always utilized bass as a significant part of the band's melody and groove. In this track, the bass is barely audible and adds very little. Hopefully the rest of the album has the bass more front and center. Regardless, this is an excellent track and I can't wait to hear the rest of the album.

Do yourself a favor and listen here.

-Austin


Introduction: Austin Zuber

Hey there!

My name is Austin. I live in Denver, Colorado and have a passion for music and a desire to write. I've always wanted to start a review/discussion blog, but I never thought I could crank out enough content to make it worth while. After meeting Ryan at a Run The Jewels show last week, I decided to stop procrastinating my writing start making content for this blog.

Musically I'm the most familiar with metal, punk, hiphop, and pop. I listen to a very wide array of genres, but expect posts on the heavier end of the music spectrum as this is what I am most familiar with.

I'm really excited to write again and be a part of this blog. Let me know if you have any review requests or discussion ideas!

Happy listening,

Austin